Review: Demolition String Band - Different Kinds of Love

Label: Breaking Records

Released: November 20, 2007

With a name like Demolition String Band, there's bound to be some preconceptions. The mention of "string band" certainly creates an expectation of a 30s/40s pre-electric country and bluegrass revival. "Demolition," on the other hand, implies breaking down barriers or rejecting rules. In the end though, Demolition String Band isn't really what their name implies.

Their brand of alt-country really stems from country's electric era, from 50s rockabilly to the slicker sounds of the 60s and 70s. There's no question that they're a technically capable group and that has them poised to make an amazing record. The part that's missing most of the way through though is that certain sense of self that gives a band its identity. "Wisteria," for instance, is a great tune, but DSB fails to really project it. Boo Reiners' vocals tend to give the music a quirky boost next to the technically superior though often under-powered voice of Elena Skye, but it's not until the last few tracks that things really come alive. Skye really finds herself in the dark melancholy of "Thank You Claudia." Oddly enough, the band really gets into full swing on a garage rocker, "Undone in Sorrow," and then accelerates into the instrumental "Boonanza" (which seems to be in that race with a certain hot rod Lincoln). Different Kinds of Love finishes strong with the psychobilly rumble of "Drinkin' Whiskey," leaving one to wonder what happened over the first two-thirds of the album.

DSB really comes alive over the last four tracks and more than anything, that just makes me wish that same fire had been lit under the earlier tracks, because there are some really strong songs in there that didn't quite get the treatment that they deserve (and that DSB is clearly capable of giving them). The "string band" misnomer is no big deal, but, the last few songs aside, I could use a little more "demolition."

Ratings
Satriani: 7/10
Zappa: 5/10
Dylan: 7/10
Aretha: 6/10
Overall: 6/10

Website

Myspace

If you're curious about my rating categories, read the description.

Warped Tour 2008 Interview: Russel Hornbeek of Music Saves Lives

Providing yet another way to do some good while you're catching a Warped Tour stop, Music Saves Lives addresses the dire need for blood and marrow donors. Not only do you get to save a life, but you get to go backstage in the process. Russel Hornbeek took some time to tell me a little bit about the organization's goals and accomplishments.

RnRnMN: What inspired the founding of Music Saves Lives?

RH: It's didn't seem right that in the summer the blood supply dropped so low. I wanted to find the students that normally donated during the school year and get them to donate in the summer.


RnRnMN: In the three years since Music Saves Lives was formed, how many life-saving donations have you accounted for?

RH: With this year almost finished we will hit almost 90,000 blood donations and that does not count the blood drives at all the colleges and high schools in spring between February and May. We have also reached over 12,000 marrow registrations.


RnRnMN: Why do you see rock fans as such a fertile ground for your work?

RH: It's all good ground. You can find anyone to care some, be it at country, rock or rap. I just love Warped bands and what better place then the Warped Tour. (laughs)


RnRnMN: Why do you think it's a demographic that hasn't been tapped until now?

RH: It's the way we go after the donor. I could not see a Red Cross employee running around Warped Tour, could you?


RnRnMN: How has being on the Warped Tour helped?

RH: That's who we reach. It helps that Kevin Lyman lets donors backstage too.


RnRnMN: Have you had a chance to catch any of the music? Who have you enjoyed the most?

RH: Shwayze is great and Gym Class has been off the hook. Love the live show. I have even found a few parking lot bands that I liked.


RnRnMN: How can music fans get involved?

RH: The best way is to donate or run blood drives in your city. We would be glad to help you even start a club at your school.


RnRnMN: Tell me a little bit about the Gibson Guitar Project.

RH: We'll we get young great artists, give them a Gibson with nothing on it and have them create. It's really great to see what they come up with. This year's Gibsons are amazing. We have had signings by Katy Perry, Jack's Mannequin, Bouncing Souls and Reel Big Fish. We then auction them with Unite the United to support our efforts at saving lives.


RnRnMN: How do you see Music Saves Lives growing over the next few years?

RH: If we keep getting the same support, I see us saving thousands more in Canada, and other countries soon. This is a global program and everyone bleeds red.



Website

Myspace

See all of my coverage from the Warped Tour in Columbia, MD on July 16, 2008 here.

Warped Tour 2008 Interview: Johnny Rioux of Street Dogs

This year's Warped Tour may have been a little short on punk quantity, but not quality and Street Dogs were among the best. I caught up with bassist Johnny Rioux to find out how the tour's been going, the reaction to the new album, State of Grace, and what's coming next for the band.

RnRnMN: How has the Warped Tour been treating you?

JR: Warped has been treating us really well. We've made a ton of new friends out here. We've also been able to play for people that generally wouldn't know us, which was the goal, I guess. That isn't to say that it hasn't been hard, long hours, long drives, portapotties, and lack of sleep, but it's been a blast.


RnRnMN: What made you decide to join the Warped Tour this year? Has it lived up to your expectations?

JR: The simple fact that we are putting out a record on a new label that knows how to promote bands on Warped. We were also offered main stage which was a first for us. We've been able to make new fans and set up for our fall tour and a 90 minute set (as opposed to the 30 minute warped set) nicely. A lot of our fans are older and work 9-5 so (they) can't come to Warped Tour. It created a great opportunity to spread the message to new fans. I think it's exceeded expectations.


RnRnMN: That gap between the stage and the barrier on the main stages inhibited a lot of fan/band interaction. You were one of the few bands to breach that gap and really connect. Do you find it difficult that the fans are a good ten feet back from the stage?

JR: You could put Mike on a skyscraper and he'd find a way to connect with fans on the ground. We are a "peoples band", so we will always bring it to the people.


RnRnMN: The Warped Tour has been known as "punk rock summer camp," but there aren't as many punk bands this year. As one of the few punk bands on the bill, do you think the diversity is good or bad?

JR: I didn't know 90% of the bands before Warped Tour. I've discovered a couple bands that I could listen to, but yeah very few. That said, we've had a posse of people we've been hanging out with every day: Aggrolites, Briggs, Bouncing Souls, Rise Against, Horrorpops, Broadway Calls, Pennywise, GBH and Against Me! (to name a few). We are out here! Kids are into different music nowadays, and Warped tour doesn't have to have bands like us anymore to sell tickets, but the fact that we write real life lyrics with real melody, and the kids have responded so well to it makes the diversity worth while and interesting. I have discovered Ipods and noise cancelling headphones too!


RnRnMN: In the past, there has been tension between punk bands and others (NOFX versus Underoath a few years ago, for instance). Is that true this year or is there a good sense of community?

JR: No direct tension. If we see someone acting like rock stars or assholes we are the type of guys that will confront them ourselves. It's in bad taste to air that stuff to music fans on a stage in front of thousands. No offense to Fat Mike of course! That was pretty funny.


RnRnMN: Who is the best band you've seen on the Warped Tour this year?

JR: Hands down, no competition, The Aggrolites are the best and most talented band on Warped Tour.


RnRnMN: There's a lot of bands to choose from. It's overwhelming when you get here and look at the schedule. Why should someone see you?

JR: Real songs. Every note and lyric at every performance in front of 5 or 5,000 is from the gut and soul and done with 100% conviction.


RnRnMN: The Warped Tour has corporate sponsors like AT&T. How do you feel about that? Is it a good thing, a necessary evil or a sellout?

JR: I trust Kevin Lyman and Warped that the corporate sponsors they choose are not part of an evil empire and are fair and just companies. Warped Tour is the longest running festival tour in history and has helped give many of my friends a career and made punk rock a house hold name, for better or worse. I honestly hope Kevin Lyman has the biggest house on his block. He deserves it.


RnRnMN: How has the reaction been to your newly released State of Grace album?

JR: So far so good! We have the best fans on the planet. So long as we are sincere they support us and vice versa.


RnRnMN: What are your plans after the Warped Tour?

JR: Headlining tour starting 9/11 in Houston with Time Again and Flatfoot 56. Then its off to Europe with Flogging Molly on the Eastpack tour. Its gonna be a busy year!



Website

Myspace

See all of my coverage from the Warped Tour in Columbia, MD on July 16, 2008 here.

Warped Tour 2008 Interview: Chris Youngblood of To Write Love On Her Arms

One of the many organizations that joined the Warped Tour to spread their message, To Write Love on Her Arms simply reaches out to people in trouble, whether it be addiction, depression, suicide or any other trouble faced in today's world. Chris Youngblood, TWLOHA's representative at their Warped Tour tent, gave me some more info on their goals and achievements.

RnRnMN: Is the focus of your work suicide and addiction or any difficulty that young people face?

CY: The work we do focuses on difficulty any person, young or old, can face. We believe these issues of suicide, addiction, self-injury, or depression can affect anyone. We don't focus on just the issues of suicide and addiction either. One of the most common issues that we get questioned about, that isn't something we address in our "mission statement," is eating disorders. So we're definitely looking into how to address those things in our find help section and educate ourselves on as well, so we can give people somewhere to go when they ask about them.


RnRnMN: In such a plentiful time and place, why do you think it is that so many kids in America suffer?

CY: I think no matter how many advantages a person can have in their life, or how many materials they can be given, it doesn't mean they're immune to feeling alone. We realize it's hard for a lot of people to communicate and trust and have a strong community around themselves. We want to be a voice that encourages those things. To tell your story...to have people you can turn to and trust in.


RnRnMN: Obviously, things have gotten pretty serious by the time you get involved, but what can someone do to help themselves before things get to that point? What can friends do?

CY: It goes back to my previous answer. One of the biggest things we do is communicate and encourage the people that turn to us. We want to encourage and challenge people to have someone they can turn to and trust in. It's an amazing feeling to know you have that in your life. Friends can be a catalyst for this. Be genuine to their friends when they ask, "How are you?" Let them share what's going on in their life and in their head. Paying attention can mean the absolute world to someone who needs their story to be heard.


RnRnMN: You're a Christian organization, but you're very explicit that your services are open to everyone because "Christian" can alienate people. Why do you think that is? Do you see dispelling that notion as part of your mission or is it incidental to your work?

CY: We actually wouldn't even consider ourselves to be a Christian organization. We, as people and staff, have our own beliefs and we think that's where labels should stay. You're right, labeling an organization "Christian" can alienate people. There are many people out there who feel like there's a judgmental stigma that goes along with the word and the people who call themselves Christian will guilt them with everything thing they have done wrong, or tell them the only way to be better is through the lord. We want people to know they have a place to come to and trust, where they won't be judge and they won't get the words from a bible waved in front of their face. We're here for everyone and we feel good about who we've been able to reach by putting ourselves out there like we have.


RnRnMN: Both religion and rock and roll seem to play an important part in how you reach people. Many people on both sides feel the two are at odds with each other. How do you see them working together? Does one lead people to the other?

CY: We saw them work together great at a week-long event we took part in this past July called, Cornerstone. It is known to be a Christian music festival and we were able to connect with many passionate people who felt these issues were important. We heard some great stories from people about how certain band's music and lyrics pulled them through a rough night. I'm sure there are stories out there from people who had no beliefs and heard a band they loved and took a listen to their lyrics and then found out the beliefs of the people in the band, and then from there they were lead to a religious view. And that's a beautiful thing. For someone to find themselves through something like that, and it gives them that light in a room of darkness, then let it be and be encouraging to that person.


RnRnMN: You get a lot of support from bands. Do you approach them or have you found that they come to you? How important is that support and why?

CY: Bands are definitely a huge reason why we are where we are. The response from them coming to us and sharing a little of their story, or how much they appreciate our voice in these issues is something we're very thankful for. I'm currently out on the Vans Warped Tour and the bands out on this tour have been amazing to us. Music can give a voice and words to people who can't figure out what exactly to say. It can make them feel. Bands can make this happen. The fact that the bands out here wear our shirts on stage and that can possibly have a few people in their audience raise their eyebrows and wonder what "To Write Love On Her Arms." is, and then they can find our tent and ask us questions or flip through our information book, is honestly a privilege.


RnRnMN: Two of the organizations you support fight human slavery. How does that tie in to your work fighting depression, addiction and suicide?

CY: In early 2007, Jamie and his sister Emily took a trip to India in an amazing experience where they saw there was a need. There are people there who deal with these issues. That are broken. It's something that makes you realize these issues aren't just something that Americans deal with. People all over the world deal with these issues. Human slavery is a very big issue in that area of the world and that can lead to those people seeing their only outlet being suicide. If they don't turn to that than abuse and depression can be something they will deal with for the rest of their life. We have mentioned how much we like the idea of being a global organization and we're taking the first step in addressing the fact that these are issues that are dealt with not just in our corner of the world.

RnRnMN: If you could give kids a message in a single sentence, what would it be?

CY: Your story is important and we are here to listen.



Website

Myspace

See all of my coverage from the Warped Tour in Columbia, MD on July 16, 2008 here.

Warped Tour 2008 Pictures: Street Dogs

Not that it comes as any surprise, but the Street Dogs put on one the day's best performances at the Warped Tour, Merriweather Post Pavilion, Columbia, MD on 7/16/2008.



See all of my coverage from the Warped Tour in Columbia, MD on July 16, 2008 here.

DVD: James Brown - I Got the Feeling: James Brown in the 60s

Label: Shout Factory

Released: August 5, 2008

There is little doubt that James Brown is an iconic figure in American music. From "Please, Please, Please" to "Say It Loud (I'm Black and I'm Proud)," Brown has found a way to resonate not only within the Black community, but also in a broader America. As Al Sharpton says in The Night James Brown Saved Boston, the first of three DVDs in this set, "James Brown made mainstream cross over to Black." Like James Brown, so too did the Civil Rights movement crossover so that today we all reap its benefits.

When you watch The Night James Brown Saved Boston, you will see how one man in one moment made all the difference. There is nothing I can write to prepare you for the power of that moment. The whole documentary, over an hour long, focuses on that moment, but also puts it into the context of the America that led up to it, what happened in other cities that didn't have such a moment or such a man and what followed. It shows how a man changed a moment, how that moment changed the man and how the man went on to change people.

As if the documentary isn't enough, the entire concert is included on the Live at the Boston Garden, April 5, 1968 disc. Unlike the documentary, this shows in detail just why James Brown could make a difference: not because he was a profound thinker or a gifted speaker, but because he connected with people on an emotional level. When he asked "Can't I get respect from my own people?" they listened, because they were his people, not because of race, but because of what they shared in his music.

If you still haven't had enough of Soul Brother No. 1, Brown's March 1968 appearance at the Apollo (which also found its way to television as James Brown: Man to Man) is also part of package. While it lacks the historical urgency of the Boston Garden show, it does demonstrate that James Brown didn't need to be in the midst of one of the 20th Century's most poignant moments to raise his intensity to a fever pitch. While it doesn't quite measure up to the Boston Garden show, it's better recorded and better filmed. Among its best moments, one wasn't even musical. When James Brown discusses his vision for Black America, it's clear why he held such sway over the crowd in Boston only a month later and therefore ties the entire package together.

Does anyone question that James Brown was the most intense performer of all-time? If so, they haven't seen these shows. Call him what you want, Mr. Please Please Please, Soul Brother No. 1, Godfather of Soul, but the bottom line is the man performed with an energy, urgency and intensity that puts everyone else to shame.

Rating: 10/10

Warped Tour 2008 Interview: Audelio Flores of Set Your Goals

Following their first full-length, Mutiny!, in 2006, Set Your Goals have toured with the likes of Anti-Flag, Alexisonfire and Big D and the Kids Table. They also made an appearance at the Bamboozle earlier this year. Now on the Warped Tour, I had the chance to find out how things are going and what's up next from guitarist Audelio Flores.

RnRnMN: How has the Warped Tour been treating you?

AF: Warped tour has been great, just a really long summer camp with good friends. Kids have been awesome. Can't complain. I got used to showering with my solar bag. (laughs)


RnRnMN: What made you decide to join the Warped Tour this year? Has it lived up to your expectations?

AF: Well we did 2 weeks in '07 and wished we could have done the whole thing. So when we got offered '08, we couldn't say no. It has lived up to its expectations. We've been able to hang out and party everyday.


RnRnMN: Are these the biggest crowds you've played for? How does it compare to playing smaller shows?

AF: They are some of the bigger crowds we've played. Like Boston was insanely huge for us. It always is. It’s like playing at home. Nothing compares to playing the smaller shows. They are more personal and intimate. But the upside of playing the Warped crowds is that we get to play to new audiences.


RnRnMN: Who is the best band you've seen on the Warped Tour this year?

AF: It's hard to real say who's the BEST band. There are so many great bands like Beat Union, Four Year Strong, Farewell, Ludo. There's so many good ones. I really liked Bedouin Soundclash. Also, watching 3OH3 is always fun. The Smart Punk Stage has a lot of great bands.


RnRnMN: There are a lot of bands to choose from. It's overwhelming when you get here and look at the schedule. Why should someone see you?

AF: Because we are here to have a good time and we have nothing to prove. We are just here to do what we love and that's music.


RnRnMN: The Warped Tour has corporate sponsors like AT&T. How do you feel about that? Is it a good thing, a necessary evil or a sellout?

AF: What does "sell out" mean? If Warped Tour didn't have the "corporate sponsors," Warped Tour will no longer keep going. You need their money to be able to fund bands' guarantees. We need to be able to make some kind of money, at least enough to eat and get to the next date.


RnRnMN: Your brand of hardcore is on the melodic side. Do you find that expands your fan base? Does it help get your message out?

AF: I didn't know we were a specific brand of hardcore. I think our fan base has expanded a lot because we are not scared to tour with different styles of bands. We try to get our music out to every kid possible. What helps you get your message out is touring, touring and touring. That's all we do and we love it and we thank all our fans for all the support you have given us. If it wasn't for you guys coming to our shows we would not be a band. Much LOVE!


RnRnMN: If you could give the kids at the Warped Tour one piece of advice, what would it be?

AF: Do what you love on your own terms and don't let anyone tell you different.


RnRnMN: What are your plans after the Warped Tour?

AF: Work on some new material and get a new record out. But also get back to our families. We are all a bit burned out right now and being able to go home to reality will be good for all of us.



Website

Myspace

See all of my coverage from the Warped Tour in Columbia, MD on July 16, 2008 here.

Review: Billy Joel - The Stranger (30th Anniversary Deluxe Edition)

Label: Sony Legacy

Released: July 8, 2008

Billy Joel is a top-notch songwriter, but there's always been something that I just didn't like. Maybe it's the showtune quality of many of his songs, maybe it's that many are geared toward adults, maybe it's because he often tells the stories of characters I just can't bring myself to care about. Anyway I look at it, I can appreciate him, but I can't get into him.

That being said, I don't think I need to go into the details of The Stranger. If you don't know these songs, you must have spent the last 30 years in a fallout shelter or something. They're practically anthems of the post-60s Baby Boomers who had cut their hair, forgotten their protests and were gearing up to vote for Reagan in a few years. The Stranger is, as it always has been, a great album...if you like that kind of thing.

So, the question with this Deluxe 30th Anniversary Edition is, "Does this re-packaging make it worth buying again?" Well, if you have a thing for nice vinyl, this is your opportunity to get The Stranger in all of its 180 gram glory. The LP only includes the original tracks, but it does come with a download code for the album as well as the bonus disc, a show recorded at Carnegie Hall in 1977. It is always nice to get a live recording that comprises a single show, but it's also nice to get one that shows an artist freed from the studio and firing on all cylinders. While the Carnegie Hall show does occasionally find Joel in fine form, it is largely no more spontaneous that his studio records. None of the banter gives any insight into Joel himself or the songs. It's a good bonus for serious Billy Joel fans, but non-essential for the rest of us. The CD version also comes with a live DVD of Joel's 1978 appearance on the BBC's Old Grey Whistle Test. Because I have the LP, I can't comment on the DVD, but I suspect the high-quality vinyl is a bigger attraction than his BBC appearance. Either way, Billy Joel fans get something good, but most of us can probably live with our old copy of The Stranger.

Original Album:
Ratings
Satriani: 7/10
Zappa: 6/10
Dylan: 8/10
Aretha: 5/10
Overall: 7/10

Carnegie Hall Bonus Material:
Ratings
Satriani: 7/10
Zappa: 6/10
Dylan: 8/10
Aretha: 3/10
Overall: 6/10

If you're curious about my rating categories, read the description.