Review: Love – Forever Changes (2008 Collector’s Edition)

Label: Rhino

Released: April 22, 2008

Love is a second rate band, but at perhaps the creative peak of rock music. They existed at a time when the old marriage of R&B and C&W that was rock n roll was experimenting with a lot of new partners. Love was a part of that. At times, the result was brilliant, making it clear why no less than Jim Morrison found them inspirational during their sets on the Sunset Strip. But just as often, they floundered as they tried to push rock music to new levels.

1967’s Forever Changes is in many ways a great snapshot of that period, precisely because it struggles. It isn’t Sgt Pepper’s or The Doors, but those records have become timeless with generation after generation discovering them anew. Forever Changes is an awkward album stuck in awkward time, giving it the appeal of primary source material rather than being reinterpreted over time. Does that make it essential? No, not for the casual listener. However, for those who want a less rosy glimpse of how rock music got from Elvis Presley and Chuck Berry to Led Zeppelin and Queen, this album is perhaps the perfect document.

For every great track, there are a couple more that dabble too heavily in show tunes or force a good idea rather than let it take shape. All in all though, it’s messy, but not too difficult to get through once or twice. It’s not a classic, but does provide a perspective that the classics can not and therein lies its real value.

The 2008 Collector’s Edition of Forever Changes is two disc set that includes the original album as well as an alternate mix and some outtakes. The alternate mix serves no real purpose. The album’s value is more historic than artistic, so a new mix only amounts to filler. Some of the outtakes are interesting though, because they show the mindset of a band trying to push the limits.

Satriani: 6/10
Zappa: 6/10
Dylan: 5/10
Aretha: 6/10
Overall: 6/10

If you’re curious about my rating categories, read the description.

About bobvinyl

bobvinyl, writer and co-editor of No Song is an Island, founded its predecessor, Rock and Roll and Meandering Nonsense (whose archives are found here), in 2005 and served as editor and principal contributor until it went on hiatus in 2010. He has also been published in AMP and Loud Fast Rules! (in print) as well as Glide and FensePost on the web. He has been an avid record collector since he was seven years old and enjoys sharing his love of music from the common to the esoteric.

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